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• WATER LILIES by MONET Hard Shell Eyeglass Cases with matching cleaning micro fiber cloth - Claude Monet Art Lovers Gifts / Famous Arts Accessories - MADE IN FRANCE

WATER LILIES by MONET Hard Shell Eyeglass Cases with matching cleaning micro fiber cloth - Claude Monet Art Lovers Gifts / Famous Arts Accessories - MADE IN FRANCE

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$22.99

$22.99

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The WATER LILIES Art Design Eyeglass Case is uniquely designed with MONET'S famous artwork.

Now you can carry your eyeglasses in style with your favorite Famous Art anywhere you go!

These authentic and unique Art Designs Eyeglass Cases are made in Europe with high quality standards.

Our Hard Shell eyeglass cases are covered with a soft velvet fabric and lined with soft plush fabric inside to protect your glasses from scratching. It comes with a matching Art Designed Micro Fiber Cloth safe for cleaning all types of delicate surfaces (eyeglasses, sunglasses, camera lenses, computers, etc.) The ultra-soft and extremely fine microfiber fabric absorbs and gently lifts away fingerprints, oil smudges, dust, and dirt.

Size: Length: 6.5" (16.3 cm) X Width: 2.6" (6.3 cm) X Height: 1.7" (4.2 cm)

Fits most reading glasses and small sunglasses.

They are absolutely gorgeous, unique and a perfect gift for any occasion.

​Eyeglass Cases are shipped directly from our workshop in California (2-3 days Shipping anywhere in the USA)​

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1 available

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WATER LILIES: "One instant, one aspect of nature contains it all," said Claude Monet, referring to his late masterpieces, the water landscapes that he produced at his home in Giverny between 1897 and his death in 1926. These works replaced the varied contemporary subjects he had painted from the 1870s through the 1890s with a single, timeless motif—water lilies. The focal point of these paintings was the artist’s beloved flower garden, which featured a water garden and a smaller pond spanned by a Japanese footbridge. In his first water-lily series (1897–99), Monet painted the pond environment, with its water lilies, bridge, and trees neatly divided by a fixed horizon. Over time, the artist became less and less concerned with conventional pictorial space. By the time he painted Water Lilies, which comes from his third group of these works, he had dispensed with the horizon line altogether. In this spatially ambiguous canvas, the artist looked down, focusing solely on the surface of the pond, with its cluster of plants floating amidst the reflection of sky and trees. Monet thus created the image of a horizontal surface on a vertical one. Four years later, he further transcended the conventional boundaries of easel painting and began to make immense, unified compositions whose complex and densely painted surfaces seem to merge with the water.